Great Artists Series '25: Karen Gomyo, violin, and Orion Weiss, piano
(Washington University Box Office - 314-935-6543)
*purchases only refundable due to presenter cancellation
Subscriptions: $150 for 5 performances plus a bonus concert!
Single Tickets
$35-40 general admission
$32-37 Wash U faculty/staff
$15 students/youth
Program:
Violin Sonata in G major, K. 379/373a (1781) by Wolfgang Amadeus Mozart (1756 - 1791)
Adagio - Allegro
Andantino cantabile (Theme and Variations)
Allegretto
Toccata in E minor, BWV 914 (1710) by Johann Sebastian Bach (1685 - 1750) (solo piano)
Violin Diptych (2020) by Samuel Adams (b. 1985) (solo violin)
Intermission
Romance, Op. 11 (1873) by Antonín Dvořák (1841 - 1904)
Violin Sonata No. 3, Op. 108 (1886 - 88) by Johannes Brahms (1833 - 1897)
Allegro
Adagio
Un poco presto e con sentiment
Presto agitato
“a first-rate artist of real musical command, vitality, brilliance and intensity.” - The Chicago Tribune
Biography:
Karen Gomyo, “a first-rate artist of real musical command, vitality, brilliance and intensity.” (The Chicago Tribune), possesses a rare ability to captivate and connect intimately with audiences through her deeply emotional and heartfelt performances. With a flawless command of the instrument and an elegance of expression, she is one of today’s leading violinists.
Karen’s 2023/24 season engagements include her debuts with the Chicago Symphony Orchestra with John Storgårds, Gewandhausorchester Leipzig with Semyon Bychkov; and the National Symphony Orchestra of Ireland with Lio Kuokman. She also appears with the Mozarteumorchester Salzburg with Constantinos Carydis, BBC Philharmonic Orchestra with John Storgårds, Gulbenkian Orchestra with Giancarlo Guerrero, Orquesta Sinfónica de Bilbao with composer/conductor Samy Moussa, and the Vancouver Symphony with Gerard Schwarz. In February 2024, Karen will return to the Dallas Symphony Orchestra for the world premiere of Year 2020, a Concerto for Trumpet, Violin and Orchestra by Xi Wang, with trumpeter Tine Thing Helseth and conductor Fabio Luisi. Together with conductor Jakub Hrůša, with whom she collaborates regularly, Karen will return to Japan to perform with the Tokyo Metropolitan Symphony Orchestra.
Further afield, Karen continues to be sought after in Australasia, and will be touring the region in August and September 2024, returning to the Singapore, Melbourne, Sydney, Tasmanian and West Australian symphony orchestras.
Highlights of recent seasons include Karen’s subscription debuts with the New York Philharmonic, Pittsburgh Symphony, Orquesta Nacional de España, the Czech Philharmonic and Rome’s Accademia Nazionale di Santa Cecilia. Karen also returned to the Los Angeles Philharmonic under Gustavo Dudamel at the Hollywood Bowl, the Orchestre Philharmonique de Radio France in Paris under Mikko Franck and the WDR Sinfonieorchester Köln with Cristian Macelaru.
As a passionate chamber musician, Karen has had the pleasure of performing with artists such as Olli Mustonen, Leif Ove Andsnes, Enrico Pace, James Ehnes, Noah Bendix-Balgley, Daishin Kashimoto, Emmanuel Pahud, Julian Steckel, the late Heinrich Schiff, mezzo-soprano Susan Graham, and guitarist Ismo Eskelinen with whom she has recorded the duo album Carnival on Bis Records.
She is also a champion of the Nuevo Tango music of Astor Piazzolla. She regularly collaborates with Piazzolla’s long-time pianist and tango legend, Pablo Ziegler, as well as with bandoneon players, Hector del Curto, JP Jofre, and Marcelo Nisinman. In 2021 Karen released A Piazzolla Triology (BIS Records), recorded with the Strings of Orchestre National des Pays de la Loire and guitarist Stephanie Jones.
Renowned for her commitment to commissioning new repertoire, Karen has given the U.S. premieres of Samy Moussa’s Violin Concerto Adrano with the Pittsburgh Symphony - and Matthias Pintscher’s Concerto No. 2 ‘Mar’eh’ with the National Symphony Orchestra in Washington under the baton of the composer. In May 2018, she performed the world premiere of Samuel Adams’ new Chamber Concerto with members of the Chicago Symphony Orchestra and Esa-Pekka Salonen, a work written specifically for Karen and commissioned by the CSO’s ‘Music Now’ series for their 20th anniversary.
Born in Tokyo, Karen began her musical career in Montréal and New York, She studied under the legendary pedagogue Dorothy DeLay at the Juilliard School before continuing her studies at the Indiana University Jacobs School of Music and New England Conservatory. Karen also participated as violinist, host, and narrator in a documentary film produced by NHK Japan about Antonio Stradivarius called The Mysteries of the Supreme Violin, which was broadcast worldwide on NHK WORLD.
One of the most sought-after soloists and chamber music collaborators of his generation, Orion Weiss is widely regarded as a “brilliant pianist” (The New York Times) with “powerful technique and exceptional insight” (The Washington Post). He has performed with dozens of orchestras in North America including the Chicago Symphony, Baltimore Symphony, Boston Symphony, San Francisco Symphony, Philadelphia Orchestra, Los Angeles Philharmonic, and New York Philharmonic, and at major venues and festivals worldwide.
Known for his affinity for chamber music, Weiss performs regularly with violinists Augustin Hadelichand James Ehnes; pianists Michael Brown and Shai Wosner; and the Ariel, Parker, and Pacifica Quartets. In recent seasons, he has also performed with the Israel Philharmonic Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra. Weiss can be heard on the Naxos, Telos, Bridge, First Hand, Yarlung, and Artek labels.
Weiss has been awarded the Classical Recording Foundation’s Young Artist of the Year, Gilmore Young Artist Award, an Avery Fisher Career Grant, and the Mieczyslaw Munz Scholarship. A native of Ohio, Weiss attended the Cleveland Institute of Music and the Juilliard School, where he studied with Emanuel Ax. Learn more www.orionweiss.com.
**All programs subject to change
Financial assistance for this project has been provided by the the Regional Arts Commission and the Missouri Arts Council, a state agency.
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