Matt Erlin

Matt Erlin

Chair Comparative Literature and Thought
Professor of German and Comparative Literature
Director, Max Kade Center for Contemporary German Literature
PhD, University of California, Berkeley
research interests:
  • 18th- and 19th-Century German Literature and Culture
  • Aesthetic Theory
  • Economics and Literature
  • Philosophies of History
  • Urban Culture
  • Digital Humanities

contact info:

office hours:

  • Mondays, 1:00 to 3:00 pm
    by appointment
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mailing address:

  • Washington University
    CB 1104
    One Brookings Drive
    St. Louis, MO 63130-4899

Matt Erlin's research focuses on the literary, cultural, and intellectual history of late eighteenth- and early nineteenth-century Germany.

In addition to essays on topics ranging from Moses Mendelssohn's philosophy of history to the eighteenth-century novel, Erlin has published two books: Berlin’s Forgotten Future: City, History, and Enlightenment In Eighteenth-Century Germany (2004) and Necessary Luxuries: Books, Literature, and the Culture of Consumption in Germany, 1770-1815 (2014). He has also co-edited, together with Lynne Tatlock, two essay anthologies: German Culture in Nineteenth-Century America: Reception, Adaptation, Transformation appeared in 2005, and Distant Readings: Topologies of German Culture in the Long Nineteenth Century was published in 2014.

Professor Erlin is a member of the steering committee of Washington University's Humanities Digital Workshop (HDW). Together with student and staff collaborators, he is currently working on several digital humanities projects that use computational tools to challenge traditional notions of genre and period as they apply to eighteenth- and nineteenth-century German literature. Erlin is also a co-investigator on the multi-university partnership grant “Text Mining the Novel,” which aims to produce the first large-scale cross-cultural study of the novel according to quantitative methods.

Professor Erlin’s course offerings range widely but generally reflect his fascination with the interface between aesthetic theories and practices and the sociopolitical contexts in which they emerge. He also has a strong interest in pedagogy. In addition to general courses in German language and culture, he has taught seminars on German poetry, consumer culture and the eighteenth-century novel, Marxist cultural theory, cultural representations of nationalism, and the sociology of literature. He also teaches in the Interdisciplinary Project in the Humanities.

Necessary Luxuries: Books, Literature, and the Culture of Consumption in Germany, 1770-1815

Necessary Luxuries: Books, Literature, and the Culture of Consumption in Germany, 1770-1815

The consumer revolution of the eighteenth century brought new and exotic commodities to Europe from abroad—coffee, tea, spices, and new textiles to name a few. Yet one of the most widely distributed luxury commodities in the period was not new at all, and was produced locally: the book. In Necessary Luxuries, Matt Erlin considers books and the culture around books during this period, focusing specifically on Germany where literature, and the fine arts in general, were the subject of soul-searching debates over the legitimacy of luxury in the modern world.

Building on recent work done in the fields of consumption studies as well as the New Economic Criticism, Erlin combines intellectual-historical chapters (on luxury as a concept, luxury editions, and concerns about addictive reading) with contextualized close readings of novels by Campe, Wieland, Moritz, Novalis, and Goethe. As he demonstrates, artists in this period were deeply concerned with their status as luxury producers. The rhetorical strategies they developed to justify their activities evolved in dialogue with more general discussions regarding new forms of discretionary consumption. By emphasizing the fragile legitimacy of the fine arts in the period, Necessary Luxuries offers a fresh perspective on the broader trajectory of German literature in the late eighteenth and early nineteenth century, recasting the entire period in terms of a dynamic unity, rather than simply as a series of literary trends and countertrends.