‘And All Our Past Decades Have Seen Revolutions’: The Long Decolonization of Black Panther
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After its creation 50 years ago at the hands of white writers and artists, the Black Panther has been guided by a short list of influential figures, most recently writer Ta-Nehisi Coates and film director Ryan Coogler. Comics scholar Rebecca Wanzo scrutinizes the intervening years and finds an evolution in the character’s representation of blackness.
When fading patriarch Beverly Weston goes missing, his family gathers for a reunion bordering on the apocalyptic. So begins “August: Osage County,” the Pulitzer- and Tony-winning drama by Tracy Letts. Washington University’s Performing Arts Department will present the show in Edison Theatre Feb. 23 to March 4.
The Alfred P. Sloan Foundation announced Feb. 15 that Timothy A. Wencewicz, assistant professor of chemistry in Arts & Sciences at Washington University in St. Louis, has been awarded a 2018 Sloan Research Fellowship. He is among 126 outstanding U.S. and Canadian researchers selected as fellowship recipients this year.
Kater Murch, assistant professor of physics in Arts & Sciences at Washington University in St. Louis, has been named a 2018 Cottrell Scholar by the Research Corporation for Science Advancement.
A new study in Parasites & Vectors finds ticks in urban parks dominated by an invasive rose bush are nearly twice as likely to be infected with the bacteria that causes Lyme disease, as compared to ticks from uninvaded forest fragments. But the trend reverses itself at a broader scale.
On Topic: The history of black studies with Gerald Early
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Professor Gerald Early recently oversaw African and African-American Studies’ transition from program to full-fledged department at WashU. Here, he talks about the student activism that kick-started black studies programs around the country.
After years of reluctance — and with the help of his journalist daughter, alumna Debbie Bornstein Holinstat — Michael Bornstein shares his remarkable story of surviving Auschwitz in “Survivors Club: The True Story of a Very Young Prisoner of Auschwitz.”
Eartha Kitt, foreground, and James Dean in a Katherine Dunham dance class in the early 1950s. There's hardly a more recognizable figure in dance, especially African-American modern dance, than Katherine Dunham. In her new book, dance scholar Joanna Dee Das explores Dunham's engagement in the black freedom struggle both onstage and off.
